A relevant, timely and distinctive coming-of-age story following a half dozen interrelated characters in the South Side of Chicago. The story centers on Brandon, an ambitious and confident young man who dreams about opening a restaurant of his own someday, but is conflicted between the promise of a new life and his responsibility to his mother and teenage brother back in the South Side.

The Dynasty by the Direkt36 investigative center tells the story of the business dealings of the Prime Minister’s family over several decades. With hidden camera footage, it also shows the luxurious world built by Viktor Orbán’s son-in-law István Tiborcz and his daughter Ráhel Orbán.

The Dirtwater Dynasty is a five-part Australian drama miniseries, first screened on Network Ten in 1988. The Dirtwater Dynasty was directed by Michael Jenkins and John Power.The Dirtwater Dynasty is the story of embittered rivalry, triumph and despair, spanning three generations and eight decades. Born in the London slums in 1878, Richard Eastwick comes to Australia at age 20, with nothing but a handful of courage and a dream. He acquires land, marries and raises a family, makes loyal friends and bitter enemies. Two world wars and the economic depression take their toll on his family and his land and cattle ranching empire but his dream to create a dynasty gives him a reason to continue.

The family is connected with Prague's "Kolbenka", the ČKD locomotive factory. Grandfather Antonín, already retired, son Rudolf, a master in the locomotive assembly section and grandson Antonín, a promising football player. The film also tells the story of Rudolf's daughter Vera - each generation has its own ideas about life and cannot identify with the others. The film is linked by retrospective sequences from the lives of Antonín the Elder and Rudolf, especially from the war years. It is a realistic take on working-class life, unencumbered by ideology (despite the opening dedication), featuring well-known and time-tested actors in mainly male roles.

这是一部巧妙新颖的惊悚小说，由《机械末日》（*Robopocalypse*）的纽约时报畅销书作者创作。故事穿梭于历史长河，追踪一个类人机器种族，它们已经在人类中隐藏了无数个世纪。

An ingenious new thriller that weaves a path through history, following a race of human-like machines that have been hiding among us for untold centuries, written by the New York Times bestselling author of Robopocalypse.

In the phantasmagorical town of Raven's End, a misguided young girl takes refuge in a decrepit old mortuary. The eccentric undertaker chronicles the strange history of the town through a series of twisted tales, each more terrifying than the last, but the young girl's world is unhinged when she discovers that the final story... is her own.

A quirky anthology, consisting of four separate short films connected by host segments. The first one, BOOGIE WITH THE UNDEAD, has an all girl rock band booked to play a gig in a town overrun by flesh-eating zombies. In the second one, THE DEVIL'S DUE AT MIDNIGHT, a coven of beautiful witches conjure up Brad Dourif as The Devil, and endures the inept attacks of witch killer Ken Foree. In the first long segment, HER MORBID DESIRES, an actress gets the lead role in a vampire movie, only to discover that starlets are being murdered on the set. The other long segment, CRY OF THE MUMMY, has the reincarnated mummy, formerly the last Pharaoh of the 4th Dynasty, looking to sue the movie studios because he can't get work as a mummy. His new lawyer offers to represent him as an agent, but the mummy will only work in film if he can direct.

A quirky anthology, consisting of four separate short films connected by host segments. The first one, BOOGIE WITH THE UNDEAD, has an all girl rock band booked to play a gig in a town overrun by flesh-eating zombies. In the second one, THE DEVIL'S DUE AT MIDNIGHT, a coven of beautiful witches conjure up Brad Dourif as The Devil, and endures the inept attacks of witch killer Ken Foree. In the first long segment, HER MORBID DESIRES, an actress gets the lead role in a vampire movie, only to discover that starlets are being murdered on the set. The other long segment, CRY OF THE MUMMY, has the reincarnated mummy, formerly the last Pharaoh of the 4th Dynasty, looking to sue the movie studios because he can't get work as a mummy. His new lawyer offers to represent him as an agent, but the mummy will only work in film if he can direct.

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